Olympiakos 3-1 Burnley: Clarets trail in Europa League play-off

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Ben Gibson’s sending-off meant Burnley had to play over half an hour with 10 men in Athens

Burnley need a big comeback in the second leg of their Europa League play-off after they were beaten 3-1 by Olympiakos and had a man sent off on a disappointing night in Athens.

Ben Gibson received a second yellow card for handball after an hour, Kostas Fortounis scoring the penalty.

Fortounis had given Olympiakos the lead in the first half before setting up Andreas Bouchalakis after the break.

Chris Wood had scored a first-half penalty to bring Burnley level at 1-1.

But Bouchalakis’ glancing header three minutes after the restart halted Burnley’s comeback.

And Olympiakos captain Fortounis, a threat all evening, forced a save out of returning goalkeeper Tom Heaton before slotting in his second goal to leave Burnley a formidable task in the second leg at Turf Moor next Thursday (19:45 BST).

Sam Vokes thought he had grabbed a late goal for Burnley but it was ruled out for offside after he had poked in from two yards.

Burnley, who went into the game unbeaten in their previous four qualifying games under manager Sean Dyche, have not been in European competition since 1966-67.

They beat Turkish side Istanbul Basaksehir and Scottish Premiership runners-up Aberdeen in extra time to set up the tie with Olympiakos.

Burnley wore all black, including armbands, in memory of former Northern Ireland forward Jimmy McIlroy who died aged 86 on Monday.

European football taking its toll

Clarets boss Sean Dyche made six changes in Athens but heavy rotation has done little to aid Burnley’s balance of European football and the start of the Premier League season.

Long midweek journeys to Aberdeen, Istanbul and Athens have coincided with a failure to pick up a league win.

A goalless draw with Southampton came three days after their return from Turkey and they seemed to pay the price for their extra-time victory at Turf Moor the following week with a home defeat by Watford.

They will be on the road again on Sunday when they head to Craven Cottage to take on Fulham (16:00 BST) – after playing over half an hour with 10 men in Greece.

Dyche clearly had one eye on that game too – taking off key players Wood and Johann Berg Gudmundsson after Olympiakos had put the game to bed.

And now the Clarets will have to produce an impressive turnaround at Turf Moor next week – just three days before hosting Premier League runners-up Manchester United.

Formidable hosts – the best of the stats

  • Burnley have conceded six goals in total in their past two games in all competitions, after shipping just four in the six before that.
  • On home soil, Olympiakos have a 100% record in Uefa Cup/Europa League qualifying, winning their six games by an aggregate score of 18-4.
  • Fortounis’ opener ended a run of 321 minutes without a goal conceded by Burnley in Europe this season.
  • Burnley conceded a direct free-kick goal for the first time in any competition since 10 September, 2016 against Hull City in the Premier League.
  • Wood has netted three goals in his past six starts for Burnley in all competitions, as many as in his previous 14 for the club.
  • Burnley both scored and conceded a goal from a penalty in the same game for the first time since September 2017 against Leeds United in the League Cup.
  • The Clarets scored with their only shot on target in the game.

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Houthis: Saudi-UAE air raids kill dozens, including 22 children

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Yemen‘s Houthi rebels say air raids by the Saudi-UAE military alliance have killed dozens of civilians, most of them children, in a reported incident two weeks after a coalition air attack on a school bus killed 40 boys.

According to the Houthi movement’s Al Massira TV, 22 children and four women died on Thursday as fighter jets targeted a camp for internally displaced people in Ad Durayhimi, which lies about 20km from the Red Sea city of Hodeidah.

Backed by the United States, Saudi Arabia and the United Arab Emirates (UAE) have carried out attacks in Yemen since March 2015 as part of a military campaign to reinstate the internationally recognised government of President Abu-Rabbu Mansour Hadi.

In 2014, Hadi and his forces were overrun by the Houthi rebels who currently control much of northern Yemen, including the capital, Sanaa.

Yemeni government forces – backed by Saudi Arabia and the UAE – launched a major operation to retake Hodeidah and its strategic seaport from Houthi rebels in June.

Hussein al-Bukhaiti, a Yemeni journalist in Sanaa, said the death toll in Thursday’s air raids stood at 31, citing a medical source.

“The Saudi strikes at first targeted a village in the Ad Durayhimi area south of Hodeidah, killing five people and injuring another two,” he told Al Jazeera.

Al-Bukhaiti said that 26 women and children had come under attack before boarding a bus in an attempt to flee, but a “second Saudi-UAE strike targeted that bus, killing everyone”.

Earlier on Thursday, the UAE state news agency WAM said that the Houthis had launched a ballistic missile in the same district, which resulted in the death of one child.

WAM said the strike in the recently recaptured village of al-Ghalifqa in Ad Durayhimi also wounded dozens of people, three of them seriously.

Ruinous war

Last year, the United Nations added the Saudi-UAE military coalition to a blacklist of child rights violators for causing the deaths and injuries of hundreds of children in Yemen. 

On August 9, an air attack by the Saudi-UAE coalition hit a school bus in the Houthi-controlled province of Saada, killing 51 people, including 40 children.

According to munitions experts, a US-made bomb was used in the attack on the school bus, leading to further criticism over Washington’s role in the war in Yemen – described by the UN as the world’s worst humanitarian crisis.

“If it’s proved again that in this instance it was a missile from the US fired by the Saudi-led coalition, that will lead to greater calls and questioning of the US’ intervention and involvement in Yemen,” said Al Jazeera’s Alan Fisher, reporting from neighbouring Djibouti.

According to the UN, at least 10,000 people have been killed in the three-year war – a death toll that has not been updated in years and is certain to be far higher.

In retaliation, the Houthis have launched dozens of missiles at the kingdom. Saudi authorities say over the past three years 90 ballistic missiles were fired by the rebels.

Multiple rounds of United Nations-brokered peace talks have failed to achieve any breakthrough.

SOURCE: Al Jazeera and news agencies

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‘Madden 19’ made this football player ugly

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Houston Texans defensive end Christian Covington (right) distributing relief supplies to people impacted by Hurricane Harvey in 2017.
Houston Texans defensive end Christian Covington (right) distributing relief supplies to people impacted by Hurricane Harvey in 2017.

Image: brett coomer – pool/Getty Images

Normally it would be a pretty cool to see yourself in a video game, but Houston Texans defensive end Christian Covington found his own digital representation to be a bit… uh… lacking.

Covington posted a photo of his character in the newly released Madden 19 Wednesday. Instead of a true-to-life model like some players get, Covington’s in-game model is really off, and honestly pretty ugly.

To be clear, that’s supposed to be the same person as the guy in that picture up at the top of this article.

“Guess I have to accept the fact that I’m ugly now,” Covington tweeted. It’s very clear from the real-life photo of Covington that he is not an ugly person by any means, but sadly that’s what he got in Madden.

He’s not the only football player to get a less-than-flattering representation in Madden. Take a look at Trent Taylor’s character.

Or how about this digital recreation of Daron Payne.

It can’t be easy to digitally recreate players’ faces in games like Madden, especially when there are hundreds of players in the game. But at the very least it would be nice if these players had characters that looked like they could be them.

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11 essential, beautiful coffee table books to collect (or gift) this year

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When your contribtors list reads like an endless list of black excellence including Maxine Waters, Beyonce, Rihanna, Mara Brock-Akil, Shonda Rhimes, Ava DuVernay, Serena Williams, and Michelle Obama — to name a few, it sells itself. But its message of ambition, self-love, empowerment, and healing makes it a no-brainer. 

Buy Here

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Aretha Franklin funeral: Stevie Wonder, Faith Hill, Jennifer Hudson among 19 performers

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Aretha Franklin’s funeral will be a star-studded musical affair: Stevie Wonder, Faith Hill, Ronald Isley, Chaka Khan and Jennifer Hudson are among the singers who will perform at the Aug. 31 service in Detroit.

Fantasia, Yolanda Adams, Shirley Caesar, the Clark Sisters and Jennifer Holliday are also on tap to perform, Franklin’s family announced Thursday. The full list of 19 performers is below.

Franklin’s funeral will be at 10 a.m. Aug. 31 at Greater Grace Temple on Detroit’s west side. It is expected to draw a host of dignitaries and celebrities from across the entertainment spectrum.

Many of the singers enlisted for the funeral were longtime friends and collaborators with Franklin, who died Aug. 16 in Detroit.

Jennifer Hudson, for instance, is the singer-actress handpicked by Franklin for her upcoming biopic.

Faith Hill recorded a duet with Franklin for 2011’s “A Woman Falling Out of Love” (though the track did not make the record), while she and husband Tim McGraw have been opening their recent concerts with a cover of “I Knew You Were Waiting (For Me).”

Detroit gospel star Karen Clark-Sheard and R&B veteran Ronald Isley were also duet partners with Franklin on the 2011 album.

Iconic Motown star Stevie Wonder was close to Franklin going back to the 1960s, and he was among the final guests to visit with her in the days before her death at home in Detroit.

Bishop Charles H. Ellis III of Greater Grace will officiate the funeral service, with the Rev. Robert Smith Jr. of Detroit’s New Bethel Baptist Church as co-officiant. The eulogy will be delivered by the Rev. Jasper Williams Jr. of Atlanta’s Salem Baptist Church. 

Related: 

Rainbow dazzles sky during Detroit Tigers’ Aretha Franklin tribute

Aretha Franklin left no will or trust, court records show

At this point, the funeral is private, but some public seating ultimately may be made available.

Note: While there could be some crossover, the performers named for the funeral service are distinct from the lineup that will play the just-announced Chene Park tribute show on Aug. 30. That list of performers has not been released.

Singers scheduled for Aretha Franklin’s funeral

Stevie Wonder

Faith Hill

Ronald Isley

Chaka Khan

Fantasia

Jennifer Hudson

Yolanda Adams

Shirley Caesar

The Clark Sisters

Jennifer Holliday 

Tasha Cobbs-Leonard

Marvin Sapp

The Williams Brothers

Vanessa Bell Armstrong

Audrey DuBois Harris

Alice McAllister Tillman

Edward Franklin

Aretha Franklin Orchestra

Aretha Franklin Celebration Choir

Contact Detroit Free Press music writer Brian McCollum: 313-223-4450 or bmccollum@freepress.com.

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Tiger Woods responds to Phil Mickelson’s trash talking for The Match

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USA TODAY Sports’ Steve DiMeglio previews the upcoming tournament at the Ridgewood Country Club in Paramus, New Jersey.
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PARAMUS, N.J. — Tiger Woods didn’t take the bait.

A day after Phil Mickelson started trash talking about The Match that pits Woods against Lefty on Thanksgiving weekend —“I bet you think this is the easiest $9M you will ever make,” Mickelson tweeted, using a hysterically crying emoji for punctuation — Woods was more subdued when asked Thursday for some smack talk after his round in the Northern Trust.

“I think I’m minus-180 right now,” said Woods, referring to the odds that have him favored in the mano-a-mano, winner-take-all, $9-million match Nov. 23 at Shadow Creek Golf Course in Las Vegas. “That’s all I’ve got to say.”

For betting novices, that means one needs to bet $180 on Woods to win $100 (plus the original wager) while a $100 bet on Mickelson would net $150. Woods added that “it’s 18 holes, so anybody can win an 18-hole boat race.”

“We’re going to have fun doing something that’s never been done before and have on pay-per-view and doing something, trying to showcase golf and showcase golf in a different way,” Woods said.

The two also will have side bets throughout the match, perhaps a long drive challenge, a closet to the pin challenge, an up-and-down challenge. That money will be donated to charity.

When asked if the average fan will be priced out because the event will be shown on pay-per-view, Woods responded, “I think they can afford it and I think it will be done differently. You know, how many times have we all purchased fights, whether it’s MMA or it’s boxing, whatever it may be. We all purchase those fights.

“As I said, this will be different. It’s fun to do something different in our sport and something that’s never been done before.”

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Suduva 1-1 Celtic: Defensive concerns continue as Scottish champions held to first-leg draw

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Olivier Ntcham headed Celtic ahead with his third goal of the season

Celtic’s defensive difficulties were exposed again as they battled to a 1-1 Europa League play-off draw with Lithuanian champions Suduva.

Olivier Ntcham’s header gave the Scottish champions a perfect start, but Celtic’s familiar frailties were to the fore again as the unmarked Ovidijus Verbickas headed Suduva level.

Brendan Rodgers’ side have now won two of their past seven matches – conceding in six of those games – and were also knocked out of the Champions League third qualifying round by AEK Athens.

Celtic could have taken a lead back to Glasgow for next Thursday’s return had James Forrest, Mikey Johnston or Moussa Dembele taken their chances.

But this was hardly a performance to dispel the impression of a club struggling to rediscover the best of themselves.

They dominated possession but created little of note in the final half-hour, and picked up another injury concern when Jozo Simunovic was forced off after landing heavily on his ankle.

‘Struggling to live up to expectations’ – analysis

BBC Scotland’s Chris McLaughlin at Suduva Stadium

Most who watched this game will expect Celtic to complete the job in Glasgow, but it was still a fairly frustrating night for Rodgers’ side at the end of another frustrating week.

The manager said beforehand that the disappointment of losing out on the Champions League was out of the system but the defensive slip-ups that led them here are clearly not.

This was a night for Celtic to show some flair, but more importantly, solidity against a side who should have been no match. There were certainly positives. Johnston shone down the left and McGregor was at the centre of most of the visitors’ creativity but the frustration and focus will once again fall on a shaky defence.

Leaving the Boyata debacle aside, Rodgers knows he has to strengthen. Ajer looked mostly fine but Simunovic once again looked shaky in the face of a forward line that appeared fairly toothless. He’s a man clearly lacking confidence but the central area shouldn’t be the only concern.

Gamboa is desperate to be given the nod at right back as Lustig continues to struggle but on this showing, few fans will think he is the answer. But if not him, then who? And can that area be the priority when the problems continue to surface centrally?

Much to ponder then for Rodgers as the clock ticks down on the summer transfer window. Progression to the group stages looks probable. If changes aren’t made after that, who knows, but Celtic have created an expectation that, for now, they are struggling to live up to.

Another horrendous concession for Celtic

Celtic started confidently, but there was more compelling evidence of the defensive vulnerability that proved so costly as they were knocked out of the Champions League by AEK last week.

When Vaidas Slavickas curled in a deep free-kick, it should have carried little threat. But Cristian Gamboa – preferred over Mikael Lustig at right-back – lost his marker, the rest of the Celtic defence froze, and goalkeeper Gordon was late coming off his line to stop Verbickas nodding in the simplest of goals.

It was a horrendous goal to concede, and a reminder of why Celtic lodged a bid for Aberdeen centre-back Scott McKenna this week, amid continued uncertainty over Dedryck Boyata’s future.

Suduva threatened only sporadically, but grew in confidence as Celtic stuttered, and Gordon was forced to field efforts from Rigino Cicilia and Julius Kasparavicius.

Rodgers had earlier raised eyebrows by giving 19-year-old Johnston just his fourth senior start, and first in Europe, ahead of the likes of Scott Sinclair and Leigh Griffiths.

But the teenager showed his quality after barely two minutes, turning his marker on the left before curling a right-footed cross perfectly for Ntcham to head home from close range,

Johnston might have scored himself, but could only direct his header straight at Ivan Kardum, while Forrest and Kieran Tierney also brought saves from the Suduva keeper.

The impressive Callum McGregor was at the heart of much of Celtic’s best work.

The Scotland midfielder weaved his way into the box and combined with Kristoffer Ajer, before the Norwegian defender stabbed a final shot at Kardum, and McGregor then combined beautifully with Dembele, whose sumptuous dinked pass over the defence led to the midfielder’s volley being touched wide for a corner by Kardum.

Dembele might have scored himself in the 54th minute, but could only lash the ball into the side netting after moving on to Ntcham’s sweet pass.

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Heron Gate: Testing Canada’s rights-based approach to housing

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Ottawa, Canada – Margaret Alluker’s backyard is overrun by tall blades of grass. The landlord used to mow the lawn, but she says that since she was handed an eviction notice, the maintenance work has all but stopped.

Alluker is among more than 100 families in Heron Gate, a neighbourhood in the Canadian capital, Ottawa, who were told in May that they need to leave their modest townhouses by the end of September.

“I had it in my mind that the eviction time is coming, and we don’t know … what will happen next,” Alluker told Al Jazeera earlier this month.

The mother of four said she hasn’t found a new house yet. Like many of her neighbours, she wants her landlord, mega-real estate firm Timbercreek Communities, to give her more time.

But more than anything, Alluker said she doesn’t want this situation to happen again.

“We need the support of the government, especially to force the laws on landlords and have more affordable housing,” said Alluker, who is also the secretary of the South Ottawa chapter of ACORN, a housing rights group active in low-income communities across Canada.

“We need a long-term plan, [so] that next time something like that won’t happen to any area of Ottawa.”

More than 100 families were told in May they needed to move out of their homes by September 30 [Jillian Kestler-D’Amours/Al Jazeera]

The ‘financialisation of housing’

Timbercreek announced plans in May to demolish about 150 units in Heron Gate, to make way for a massive development project in the neighbourhood. The company has followed the provincial laws that regulate tenant evictions. 

In fact, it says it’s gone “beyond the requirements of the law in providing relocation assistance” to displaced residents by offering three month’s rent, as well as $1,530 ($2,000 Canadian) compensation and employing a relocation group to help tenants find other properties.

It also told Al Jazeera it “continues to maintain Heron Gate units and quickly respond to repair requests”.

But Leilani Farha, the United Nations Special Rapporteur on adequate housing, who is based in Ottawa, said every alternative to eviction must be pursued under international human rights law.

The community must also be consulted, and “that simply did not happen” in Heron Gate, she said, likening the evictions to “a David and Goliath type of situation”.

“It’s the little people against the behemoth, and it’s very deeply concerning,” she told Al Jazeera.

Farha said the situation in Heron Gate isn’t unique to Ottawa or even Canada, however.

It’s the little people against the behemoth, and it’s very deeply concerning.

Leilani Farha, UN Special Rapporteur on adequate housing

Instead, it involves what she describes as “the financialisation of housing” – the growing trend of multi-billion-dollar firms owning and operating residential real estate for maximum profits – and it’s a pattern she said she’s seeing around the world.

Farah said while she’s not necessarily against profit-making, governments need to set clear directives for what is allowed in profit-making ventures.

“We are living in a time where the actors in residential real estate are principally financial actors, and they have zero interest in people and a complete focus on maximising profits,” she said.

“While that may be OK with other commodities like gold and steel, it is not OK in the area of housing because unlike those other commodities, housing is a human right.”

In that light, Heron Gate is “almost like a litmus test for here and now housing issues”.

Legislation coming this fall

Last November, the federal government unveiled a 10-year, $31bn ($40bn Canadian) National Housing Strategy – the first of its kind in Canada – to help ensure Canadians have access to affordable housing.

Among the programme’s main families are cutting chronic homelessness by 50 percent, building 100,000 new housing units, repairing 300,000 others, and removing more than half a million households from the “housing need” category, which includes those living in inadequate or unaffordable housing.

The plan, which says it will take a “human rights-based approach to housing”, also seeks to provide 300,000 households with a subsidy known as the Canada Housing Benefit, to help offset housing costs for low-income families.

It also sets aside over $12bn ($15.9bn Canadian) to a National Housing Co-Investment Fund, to encourage property developers to build affordable housing, and pay for the upkeep of existing units. Over two-thirds of that money will be disbursed in the form of low-interest loans.

Michael Brewster, a spokesperson for Jean-Yves Duclos, the minister of families, children and social development, which includes housing, said the government is “going further than any previous government has gone on the issue of housing rights”.

In an email, Brewster told Al Jazeera the government would introduce legislation this fall “that enshrines the rights-based approach to housing, and will ensure Canada maintains a national housing strategy in the future”.

He didn’t elaborate, however, on how Ottawa plans to enshrine those rights into law.

“We will protect and promote the housing needs of Canada’s most vulnerable people, reduce homelessness by 50 percent, and ensure that more Canadians have a place to call home,” his statement read.

When asked by Al Jazeera to comment on the situation in Heron Gate, and whether what happens in the community will be a “litmus test” for Ottawa’s rights-based approach to housing, Brewster said the minister had nothing to add beyond the previous statement.

About than 150 units in Heron Gate are expected to be demolished [Jillian Kestler-D’Amours/Al Jazeera]

On August 14, more than 170 organisations signed an open letter urging Prime Minister Justin Trudeau to guarantee the right to housing in law

The letter calls on Ottawa to make sure any legislation has accountability mechanisms in place, to allow homeless people and people living in inadequate housing to get recourse from the government.

It also demands that Ottawa address distinct barriers to housing that affect vulnerable people, such as Indigenous people, women and people of colour.

Enforcement a lingering question

Indeed, enforcing “the right to housing” is easier said than done.

“You can enforce a negative right – you can’t do something, and if you do it, we’ll stop you – but to enforce a positive right which says the government must ensure everybody has a right to housing, what does that mean?” said Steve Pomeroy, a senior research fellow at the Centre for Urban Research and Education at Carleton University in Ottawa who specialises in housing policy.

He said the government must increase the funding it has earmarked for the plan if it wants it to succeed, as well as provide real incentives to entice developers to build affordable housing.

There isn’t a lack of housing per se in Canada, Pomeroy said, but the housing that’s being built doesn’t meet the needs of many Canadians, especially families.

“You can say to developers we want you to build two- or three-bedroom units. ‘They say, well the economics don’t make sense [and] I’m not going to make any money, why would I bother?’” he told Al Jazeera.

“That really is the policy challenge. You can lead a horse to water, but you can’t make him drink.”

You can say to developers we want you to build two- or three-bedroom units. ‘They say, well the economics don’t make sense [and] I’m not going to make any money, why would I bother?’

Steve Pomeroy, Centre for Urban Research and Education at Carleton University in Ottawa

Pomeroy said he didn’t expect the federal government to step in to prevent the evictions in Heron Gate. Doing so, he said, would be costly, and potentially stall new development.

“That then challenges what they really mean by a human rights-based national strategy. So then they’ve got egg on their face and it’s a very, very dicey situation,” he added.

Daniel Tucker-Simmons, a lawyer representing some of the residents in Heron Gate, said he sent a request for accommodation to Timbercreek’s lawyer and to Mayor Watson.

He is asking that if parts of the neighbourhood need to be demolished, that the current tenants receive more relocation assistance, and be guaranteed a right to return once the redevelopment is finished, to units with similar rents. It also asks that the existing units be preserved if they can be.

The request is currently being considered, Tucker-Simmons said, and the case could eventually be sent to the Ontario Human Rights Tribunal, if he doesn’t receive a timely response.

What power do governments have?

While Canada has seen steady population growth in its major cities, very little is available for people on the lower half on the income spectrum, said Greg Suttor, a senior researcher at the Wellesley Institute focused on housing policy.

There is also a shortage of subsidised housing units.

In Toronto, the country’s largest city, more than 92,000 applicants were on the active waiting list for social housing last year. In Montreal, about 25,000 households are currently on the list to receive low-rent housing, but only 2,000 units are made available annually. About 10,500 families are currently on a waiting list for subsidised housing in Ottawa.

Commenting in general terms about the housing market in Canada, and not on Heron Gate specifically, Suttor said Canada is at “a particular moment in time” in its housing sector.

“You would have to go back 30 years to find the equivalent price pressures and low vacancies and this extent of supply-demand squeeze in either the rental market or the home-owner market,” he told Al Jazeera.

Over the years, people of colour and new immigrants have been particularly vulnerable to discrimination in the rental sector.

People of African descent deal with many stereotypes when searching to rent a property, such as a belief among landlords that “they are criminals or have too many children”, according to a 2008 report on rental housing and human rights by the Ontario Human Rights Commission.

You would have to go back 30 years to find the equivalent price pressures and low vacancies and this extent of supply-demand squeeze in either the rental market or the home-owner market.

Greg Suttor, Wellesley Institute

Based on testimonies made by individuals and non-profit groups, the report found that some people of colour also said they faced discrimination when they eventually were able to rent a home.

“Tenants stated that their requests for repairs and upkeep of the rental unit would be denied while those of non-racialised tenants would be met.”

According to Farha, the UN Special Rapporteur, the Canadian government should be using the pending evictions in Heron Gate as a test to draft its right-to-housing legislation.

“What can governments do in cases like this? What power do governments have – and at what levels – to make sure this predatory behaviour doesn’t continue?” she said.

In the meantime though, the tenants that remain in the community don’t have much time. “You’re thinking about it every single day,” said Heron Gate resident Margaret Alluker.

“You don’t know what will happen tomorrow, so it’s not easy.”

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Sony is bringing its robot dog Aibo to the U.S. this fall

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Throw us a bone! Sony is bringing its robot dog to the United States, but it won’t come cheap. The all-new Aibo, first unveiled at CES in January, will land in the coming weeks for $2,899. 

Yep, you’ll need to pony up $3,000 for the “first litter edition” of the robot dog. It’s a significant price to pay for a robot companion, but after checking it out in person, I have to say this thing is adorable.

For the price, you get Aibo, a three-year cloud plan, dog toys, and a commemorative dog tag. That cloud plan includes three years of AT&T LTE for network connectivity when you’re out and about, which is nice given the high price.

At a launch event in NYC, Sony was quick to note that Aibo is loaded with technology. It combines robotics, AI, and sensor technology into one product. For this version of the Aibo (technically the sixth generation, although the others have long been discontinued), and Sony updated the eyes with OLED screens. That lets Aibo blink, and users can customize the color via the My Aibo app. The app will also allow you to view photos that Aibo takes via its nose camera, send commands, and see the environment as mapped through the sensors.

For the exterior, there’s only one look: Aibo will only be available in this silver and white, and, no, it doesn’t have any fur.

The tech goes beyond the eyes with several touch sensors, including one on the nose and the back. It also has a camera on the nose and the butt, along with several other sensors throughout the body. These work together show Aibo can learn and map the environment and avoid obstacles.

With the camera on its nose, he or she (you can customize the gender) can learn the people of the household and recognize you. Through these interactions with humans, Aibo will learn and get smarter every day. For instance, you can teach him a trick like to shake hands or give a high five. However, just like with training a puppy, you have to give Aibo positive reinforcement. 

Aibo can mimic a real dog and the movement is strangely lifelike, although he has glossy outside instead of a furry one.

Aibo can mimic a real dog and the movement is strangely lifelike, although he has glossy outside instead of a furry one.

Image: Jake Krol/Mashable

Aibo won’t always listen, especially in the beginning — so if a voice command doesn’t work the first time, try it again. During a quick demo, it took a few tries to get Aibo to play dead; instead, he barked or didn’t move. 

In addition to sensors and hardware inside, the design of Aibo is meant to have him move realistically. Seeing him shuffle across a table, Aibo doesn’t doesn’t move how you’d expect an animatronic robot to move — it moves more in a cute way. This is thanks to the many single- and dual-axis joints all over the robot.

However, while Aibo can walk like a real dog, it can only do so indoors. Sony doesn’t recommend using it outside on grass, dirt, and especially water. You might be able to get away with him on clean pavement, though.

The battery life is a letdown as a full charge only lasts two hours — not the same play time and enjoyment you get from a real dog. Aibo will navigate to his charging dock by himself, but expect the charging time to be around two hours as well. 

All in all, Sony is echoing similar tones to robotics as Anki is with Vector. There is a core belief in personality and being a companion, something that Aibo can achieve thanks to software, AI, and the hardware. After all, you wouldn’t let a robot dog into your house if it didn’t want to play and be nice. While I am eager to put Aibo to the test, the fact is that he is really expensive.

You can train your Aibo to shake hands, but like a real dog it doesn't always listen.

You can train your Aibo to shake hands, but like a real dog it doesn’t always listen.

Image: jake krol/mashable

I don’t see this as a product for the masses, and Sony isn’t really pushing Aibo as a personal companion. There aren’t many utility features included, and while he does connect to the cloud through WiFi or LTE, it seems like that is mostly for learning and storing visuals. Chances are Aibo will speak to what Sony can do and that the future and the company’s future AI products, including robots.

If you want to add a robot dog to your home, Aibo won’t disappoint but be sure you can handle a $2,899 price. Also, I should mention you can get a real dog for cheaper, but this one doesn’t require cleanup.

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Three Rounds With Troye Sivan: The pop star celebrates his smoldering album ‘Bloom’ with a few (strong) cocktails

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My, my, my, has Troye Sivan arrived.

The Australia-raised, South Africa-born showman ascended from viral YouTube roots — the kind of buoyant bedroom vlogs that endeared him to millions of teen fans — to mainstream music stardom with his 2015 debut album, Blue Neighbourhood. It was a moody, broody slice of suburbia pop that introduced Sivan as a prominent new Gen-Z voice, not to mention added exposure to his platform as an openly gay teenage role model (a still-nascent population in the entertainment industry).

Sivan has since become a ubiquitous pop collaborator, sharing studios and stages with Ariana Grande, Taylor Swift, Alessia Cara, Sigur Rós, Betty Who, Zedd, and Carly Rae Jepsen. He’s a burgeoning actor, appearing in the Oscar-buzzy gay conversion drama Boy Erased this November (and, always available on YouTube, as an erstwhile young Hugh Jackman in X-Men Origins: Wolverine). He’s an increasingly influential voice in the LGBTQ community, using digital savvy and video artistry to infuse most of his music with gay themes. And at 23, he’s moving past the sweet spot of adolescence as an adult ready to drop his smoldering sophomore album, Bloom (out Aug. 31) and introduce the world to his good side.

Cause enough, EW thought, for three rounds of celebration with the singer at one of his favorite Los Angeles haunts (the Cha Cha Lounge in Silver Lake, Calif.) on the eve of his career’s next great blossoming. Read our extended interview with Sivan (featured in the latest issue of EW) below.

ROUND 1: BEER

Three years ago, on your debut album Blue Neighbourhood, you sang, “I’m just a lost boy, not ready to be found.” So, three years later — do you feel like you have been?
I do, to a certain extent. Something that’s really exciting to me is that I know that growth and change are forever, but I’m definitely the most settled and secured that I’ve ever been. At the same time, I’m learning so much every single day about myself and about the world and about music, and I’m really enjoying that. I think the biggest difference is that there’s a little bit less anxiety.

You’ve said that you didn’t want to give the world a “sad gay album” right now. What, then, is Bloom?
Ultimately, it’s a love album. Almost all the songs are these really passionate, longing love songs, and I had a really good time writing about that because, before this album, I didn’t know what me writing happy music even sounded like.

It very much feels like an album about declaring, confidently, what you want right now in life.
It feels really up front to me. It definitely helps that I wrote the album with some of my best friends in the entire world, so there’s no judgment in the room. They already know all this stuff about me. And so it’s just about working that into a song that feels real. If that’s admitting sides of yourself that you don’t like, if that’s talking about past experiences really frankly, or talking about where you’re at right now in a really open way, I was down to do it and deal with the consequences later.

Are you a musician with a mission? Did the album you set out to make ultimately become the album you ended up making?
It actually was, this time around, and that was a signifier to me that I had done a good job, you know what I mean? It’s really empowering when, as an artist, you can visualize something and then have the final product turn out the way you wanted it to. It’s the most satisfying thing in the world and for the longest time, I didn’t know how to do that, I didn’t know how to get there. And this time I came in really determined and inspired and I feel like I kept really true to that vision.

On “Seventeen,” there’s a lyric I loved about recognizing you were too young for a relationship. I think often millennials and Gen-Z aren’t given the same license to reflect on their past mistakes and say, “I am young, but guess what, I also used to be even younger.” How do you feel your age factors into your music and how it’s perceived?
One thing I loved so much about Lorde’s second album was that we got introduced to this person that we loved so much on the first album, and then the second just made complete sense. It felt like that same character, that same person has grown up. That’s the way I see my albums, hopefully for the rest of my life. Just a kind of update, a diary of where I’m at in my life. Songs like “Dance to This,” about the fact that I have a house now and like nine out of 10 nights I’d rather stay home than go out, really accurately capture where I am in my life.

Among other words to describe it, Bloom is a very chill album — in a very not-chill time. What mood did you try to cultivate in the studio and how?
I think that stems from my musical history. I have always gravitated towards sad, melancholy music. If something is upbeat, it’s often really sexy, and at the same time, whatever I’m listening to, that’s the music that makes me feel passionate and sexy and inspired. And so I’ve never really been one to put on, like, bangers, you know? I don’t really know how to write songs that don’t have this kind of tinge of introspection, and I feel like that results in something that feels maybe a little bit more slowed down or thoughtful.

As someone with very evocative music videos, what do your videos unlock in your music? If you could never make another music video again, would there be a huge gap missing from your artistry?
Definitely. Yes. I write really visually. In my head I’m constantly picturing things as I’m writing, so for me, videos are such an expressive part of my job. I hope I communicate a lot through the visuals I make. I would feel very empty without them. I’ve got music video ideas for, if I could, every song on the album.

Is there a lyric or visual you’re particularly proud of?
The second verse in “What a Heavenly Way to Die.” It makes me really soft and mushy. It’s this idea of a little gay couple getting super old and wrinkly together and listening to that song 60 years in the future. I had this really sweet image of the old man from Up listening to that song with his gay boyfriend. I don’t know why I made him gay in my head, but he’s gay in my head.

ROUND 2: BLUE HAWAII

It sometimes feels like headlines about you always seem intent to qualify you as “gay artist Troye Sivan.” How much weight do you feel is put on you to represent the queer community and assume that mantle?
I’ve always said that as long as people are still talking about it and doing stuff like that, it means that it’s something that needs to be spoken about. There’s hunger for that conversation. So I’ve always been totally fine to talk about and embrace that. Am I excited for the day where [a headline is] just, “Troye Sivan puts out a song?” Sure, yeah, that’s exciting. As I’m excited for the day when a trans woman of color can walk down the street and not fear for her life, you know what I mean? We’ve got so much work to do as a community, and the only way is forward. We’ve just got to keep going. There’s going to be some uncomfortable and painful moments along the way, but I have so much faith in us to stay strong through all of that.

Who do you lean on in the industry for that conversation?
There’s a bunch of young queer artists on the come up right now, which is so exciting, people like Kehlani and Kevin Abstract and Perfume Genius. There’s a bunch of really inspiring people who are doing amazing things in music. So I guess them. But in all honesty, that’s not a conversation that I’ve really had with any other musicians.

How do you feel about the current state of LGBT representation in music?
I think it’s the best it’s ever been, but still a really, really long way to go.

This is a fairly random thought, but how do you think your artistry might have been different had you worked through a different era?
I probably would have been forced to stay in the closet. I’m sure I would have worked my way around it. What’s cool to me is there [were] definitely times when artists could be a lot more flamboyant, and that’s really inspiring to me, that there was a time when David Bowie could exist and the world was in love with it.

When do you feel the most glamorous?
I get a lot of my glamour from my mum. She was a model when she was younger and we’ve got this portfolio of all of her photos and newspaper cuttings from when she was a kid, and sometimes I look a little like her when I’m done up, and that makes me feel pretty glam. And as well, I feel most glamorous and sexy when I find that line between masculine and feminine that feels most authentically myself.

Is Bloom a sexier album for you?
I think so. Maybe ‘cause it’s a little more real about that stuff. With the first album, I felt pressure to keep things more mild and palatable. I was a new artist — still am, but — I was new, openly gay, still young, and I just wanted to keep things as PG as I could. Whereas this time, I was like, no — I want to make music for queer people. I want to make music for people like me, and make something real about what’s actually going on in my life, which…it is what it is.

How did you reconcile your parents listening to your more sexually suggestive songs?
I literally pretend it’s not happening. I don’t think my parents know the lyrics to any of my songs, so I just kind of put faith in that and hope for the best.

So they don’t know what the song “Bloom” is about?
Well, now they do because everyone and their mum has talked about it. But whatever!

ROUND 3: VODKA TONIC

You’ve just moved to Los Angeles from Australia. What was the biggest shift for you?
It’s honestly been a really tough experience moving over here. I’ve built a life for myself now that I really love, but it was hard. It’s super different from Australia and really far from my family and friends. I grew up in a very tight-knit community where everybody knew everybody’s parents. I grew up in a family of six. And then I got here and I knew very few people, everyone’s traveling in and out all the time, it’s huge, and you’ve got to learn to drive. So it took me a while to find my feet. I’m still very much on that journey, but I’ve built my own sanctuary here where I feel so happy. And I’ve just got a dog! His name is Nash. So I’m working at making this feel like home.

What’s the biggest misconception you think there is about you?
I think people think that because I came from online, I’m a really public person, and I’m actually really not, I’ve found. As I’ve grown up, I feel like a very private person, actually. I really enjoy my family and friend time and my privacy.

What did your YouTube roots define about you?
The relationship with the fans. There are some people who follow me on Twitter who I potentially have been speaking to for over 10 years, which is so nuts, but that’s a real relationship. I cherish that more than anything.

Speaking of your Twitter, I don’t think you get enough credit for your sense of humor. Do you consider it a secret weapon of yours?
Totally. I’m laughing all the time. I look to Lily Allen for that all the time. People used to ask me about my inspirations and I would say Lily Allen. Her music sounds not like [mine] at all, but it was just her wit and her lyrics and not being afraid to take the piss a little bit in a lyric. Same thing with Amy Winehouse. She was always super cheeky and I just love her. I try to work that in sometimes.

What was your last pinch-me, out-of-body moment?
I can think of three off the top of my head. Number one is performing with Taylor Swift at the Rose Bowl [in May]. That was crazy and overwhelming just because it’s Taylor Swift and it’s the Rose Bowl, with 60,000 people, which is the biggest crowd I’ve ever played for, and we were singing my song. That’s a moment where, had I been able to fast-forward into the future as a 15-year-old and seen that, I would have just literally cried uncontrollably. Shooting the “Dance to This” video with Ariana is another one. When you see Ariana being Ariana Grande, when she turns it on and does the whole pop star thing, it’s so incredible to watch. She’s just a legend. And the last one was seeing the trailer for Boy Erased, the movie that I’m going to be in, and hearing my songs from the soundtrack underneath these incredible performances by Lucas Hedges and Nicole Kidman. That gave me chills.

Your character in Boy Erased is a teenager at a Christian gay conversion therapy camp. How did that acting experience change you?
That movie was a really intense time for me, honestly. First of all, my music team knew I was going to shoot this movie, so they all completely backed off and it was dead quiet, music-wise, for a month, and that was the first time that’s happened in years, so I was completely absorbed on set in Atlanta and completely present. It was amazing, but at the same time, it was gnarly. [Conversion therapy] is such a hurtful thing to witness, even when it’s pretend. It was super eye-opening and really lit a fire in me to try and change.

How do you describe the song you wrote for the soundtrack, “Revelation”?
I worked with Jónsi from Sigur Rós and Leland. It’s this really tender song about the moment where you let yourself go and fall for someone of the same sex for the first time and realize that God didn’t strike you down. It’s the moment of, maybe this is okay. This feels right…maybe it is.

What’s your ultimate goal with acting?
To do stuff that I feel is interesting, both for me and for the people who come to see the movie. To be able to have the luxury of not being a starving actor who’s trying to book anything they can, and to find a perfect project and really go for it and audition for it and try your very, very best and even if you don’t get it, it’s not the end of the world. I see it as hopefully something that throughout my career is going to be a really exciting thing to follow. My general goal with my life is that I want to be someone that people trust as a creative. “Oh, Troye made a new album, I’m sure that’ll be really cool” or “Troye made a movie, I hope that’ll be cool.” I just love making stuff.

Dare I ask: Does Nicole Kidman listen to your music?
I’m…not sure! She said in an article that she and Keith are fans. And I was really gagged by that. I just don’t know if it’s true or if she was just being really nice.

For more exclusive interviews and photos, pick up the latest issue of Entertainment Weekly on stands Friday, or buy it here now. Don’t forget to subscribe so you don’t miss an issue of EW.

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